cheerful valley campground Shoot at the highest possible shutter speed. This will reduce camera shake. The longer the lens, the

sites in the world. The reef runs the entire 17 miles of the island s north coast. Northwest Point is a premier wall dive with a vertical drop of some 7,000 feet. On Provo itself, cheerful valley campground there are a number of companies that can cater to almost every need. A single dive will probably cost you $50. A two-tank dive runs around $75. PADI open water certification costs about $350.

* ( (% !% (

Shoot at the highest possible shutter speed. This will reduce camera shake. The longer the lens, the faster the shutter speed. You should never hand-hold a camera at a shutter speed slower than the focal length of the lens. For example, you would only hand-hold a camera fitted with 180mm lens when the shutter speed is set to 1/250 of a second or more; never slower. Likewise, cheerful valley campground a 50mm lens could be hand-held with the shutter set to 1/60th of a second, but no slower. The best light for photography is in the early morning and late afternoon. The colors are warmer and the shadows deeper. At noon, when the sun is overhead, the lighting is flat and uninteresting. Good composition means good photographs. Dull days and skies without detail cheerful valley campground mean dull photographs. Such situations call for a little thought before you shoot. A technique cheerful valley campground called framing will eliminate large, detail-less areas from your pictures. Shoot from beneath tree branches, through doorways and windows, and include odd sections of wall and pieces of furniture in the picture. Walk around the subject until you find something anything you can place in the picture that will break up those large, uninteresting areas of sky. Never place a dominant point of interest in the center of your picture; move it up or down just a little, or place it a little cheerful valley campground to one side. Finally, look around. Make sure there is no trash soda cans, scraps of paper lying around. Never shoot into the sun. For the best effect, the sunlight should be coming from behind you, never from in front, unless you re looking for silhouettes. If you can, take notes. There s nothing worse than getting a half-dozen rolls of film back from the lab and not knowing what it is you re seeing. Don t miss the opportunity to shoot under water. Even if you don t intend to go diving, you should take a camera to the beach; the fish in the shallow waters are colorful and abundant. You can purchase one of those neat little ready-made under-water cameras that come ready to